PDF Ebook The Indispensable Composers: A Personal Guide
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The Indispensable Composers: A Personal Guide
PDF Ebook The Indispensable Composers: A Personal Guide
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An exploration into the question of greatness from the chief classical music critic of the New York Times.
When he began to listen to the great works of classical music as a child, Anthony Tommasini had many questions. Why did a particular piece move him? How did the music work? Over time, he realized his passion for this music was not enough. He needed to understand it. Take Bach, for starters. Who was he? How does one account for his music and its unshakable hold on us today?Â
As a critic, Tommasini has devoted particular attention to living composers and overlooked repertory. But, like all classical music lovers, the canon has remained central for him. In 2011, in his role as the chief classical music critic for the New York Times, he wrote a popular series in which he somewhat cheekily set out to determine the all-time top 10 composers. Inviting input from readers, Tommasini wrestled with questions of greatness. Readers joined the exercise in droves. Some railed against classical music's obsession with greatness but then raged when Mahler was left off the final list. This intellectual game reminded them why they loved music in the first place.Â
Now, in The Indispensable Composers, Tommasini offers his own personal guide to the canon - and what greatness really means in classical music. What does it mean to be canonical now? Who gets to say? And do we have enough perspective on the 20th century to even begin assessing it?Â
To make his case, Tommasini draws on elements of biography, the anxiety of influence, the composer's relationships with colleagues, and shifting attitudes toward a composer's work over time. Because he has spent his life contemplating these titans, Tommasini shares impressions from performances he has heard or given or moments when his own biography proves revealing.Â
As he argues for his particular pantheon of indispensable composers, Anthony Tommasini provides a masterclass in what to listen for and how to understand what music does to us.
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Audible Audiobook
Listening Length: 20 hours and 24 minutes
Program Type: Audiobook
Version: Unabridged
Publisher: Penguin Audio
Audible.com Release Date: November 6, 2018
Whispersync for Voice: Ready
Language: English, English
ASIN: B07HPBHXZJ
Amazon Best Sellers Rank:
Starting with a justification of an exercise he is uncomfortable with ( it flows out of a New York Times series on the top 10 composers) the author writes convincing arguments about his selections and their place. I found the discussion of Schubert's struggles and the related reflections from the authors life to be especially mind expanding. (As one working at understanding the writing of Teilhard de Chardon it makes me yearn for the manifestation of the Omega point.)The arguments in this book also helped understand and place Schoenbergs 12 tone system in the historical development of music. And the book finishes with very sensible arguments about being open to new music without worrying about its place in the canon. And the new understanding this book has given me will help me more thoroughly appreciate the wealth of recordings in the new Bach 333 set.
For several years the distinguished author has been a musical critic for the prestigious New York Times. He also sports a Ph.D in music and has recorded classical music. Out of that rich experience he wrote a series of 2011 articles in his newspaper on the top ten composers of all time! Out of that series this book published in 2018 has been developed and presented to the public. I found it fascinating! Even for me who is not a musician I found the biographical and analytic studies of the various composers to be worth reading about. He begins with Monteverdi who was key in developing Italian opera moving on to such giants of the art as Bach, Handel, Mozart, Beethoven, Schubert, Schumann, Chopin, Verdi, Wagner, Bartok, Schoenberg, Stravinsky Liszt, Puccini and several others. The book is a joy to read and would be a great gift for a music lover of any age. Music is the international language and this book is a great homage to its power and emotion in the human psyche. Highly recommended!
Since my introduction to classical music listening to my older teenage sister practicing her piano lessons, I've enjoyed classical music, although I have no inclination to learn an instrument or sing. I've listened to classical music while studying, at the NY Philharmonic during a 2-year subscription many years ago, and while reading, eating and doing chores around the house. While I am now familiar with most of the often played repertory of the 18th, 19th and early 20thy century composers , I had little knowledge of the development of that music, until I read Indispensable Composers. Although it has its share of lingo, which is beyond me, Its given me great pleasure. I actually read the book next to my computer and listened to many of the works mentioned in the book on You Tube as I read it. It has enriched my pleasure in listening to music and introduced me to 20th century composers such as Bartok, whose compositions I now enjoy.
This book is an excellent review of the great classical composers. For each of the seventeen composers covered in the book, the author provides a quick biography and a listing of their most important and memorable music (from his perspective and of course his perspective is important). Most of the composers that he selects are, of course, the indispensable composers. But, I'm sure readers will disagree with some selections and wonder why other composers were not selected. But the main ones are here: Bach, Mozart, Handel, Haydn, Beethoven, Schubert, Chopin, Wagner, Brahms, and Stravinsky. There are others that usually aren't included but it is good that he included them, e.g. Verdi and Puccini. I won't quibble about the missed composers or the ones that he included that resulted in me scratching my head, only to write, that his opinion on why they were included was useful. If you enjoy classical music, like I do, I highly recommend this book.
I followed the author comments in new York Times for some time.He is an educated critic and this book is easy to read.I give the book only 4 stars because I think there is a most appropriateway to suggest to the reader the importance of his selection then "indispensable".
Good read with insightful musical comments. I particularly liked the 2 YouTube links. As a lapsed violinist I missed any discussion of the two towering works, the Beethoven and Brahms Concertos. Also I’ve never warmed to 12 tone music and would have left Schoenberg off my list. Your college years were mine and my musical appreciation was similarly expanded by The Beatles.
Very informative and easy read.
Generic stuff about the obvious composers, more (and more boring) stuff than we need to know about the author. Will knowing that Monteverdi reorganized a library enhance your appreciation of classical music?Better options: "Year of Wonder" (skip the Intro); YouTube master classes; Schiff's Lectures on the Beethoven piano sonatas...
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